What do editors do? Part 1
From time to time, this blog will look at the editor’s role on a project, how editors get their jobs, and at what you can do to get a job and maintain an editing career.
Why?
Because all too often editors are seen as technicians -- oompa loompas slaving in a dark room somewhere -- whose primate, er, primary task is to pluck out the bad takes and string together the good ones. Our cut -- the so called “rough cut,” -- is dissed, as if it’s a rock that requires director, producer, and other postproduction personnel in order to smooth it into a prized diamond before anyone will line up to see it.
Rodney Dangerfield had nothing on us. Even a chimp can do our job (you can skip the first 20 seconds):
This crappy video reminds me of the time I had to take a bio-break and the director wanted to watch a scene again while I was out of the room. I showed her how to start & stop the Avid and when I came back, the entire cut was out of sync. But I don’t want to be cynical about directors -- they have talents that I don’t, usually!



Sandip Mahal, London, UK, working on a playout for the executives.
Sandip writes, "The person in the monitor's story is being trapped and isolated from civilisation... i can relate..."
Susan B. Ades, Editor, NY, NY in front of her home editing suite.
Vickie Sampson, Supervising Sound Editor, Director, Writer, Shadow Hills, CA, with dog Pinky.
Ed Abroms, Burbank, CA, on loc in Lowell, MI.
